Der Ring des Nibelungen (The Ring of the Nibelung)
by Richard Wagner
Synopsis
Tales of gods and heroes for puppets and people - a daredevil undertaking has succeeded in cooperation with the Marionettentheater: Richard Wagner's »Ring der Nibelungen«, condensed to a playing time of just less than two hours, tells the complex story in a simple manner, without robbing it of its earnestness. »A staging with a contemporary look, but with respect for Wagner's grand epos« (Deutschland Radio). »The special attraction of this production lies in the interaction between the actors and the puppets. The majority of the audience enjoys the gain in wit and irony« (Bayrischer Rundfunk). The project was made possible by the productive partnership with the Salzburg Marionettentheater, whose puppeteers are specialized in an already 100-year-old traditon of grand operas with small figures. Both institutions united their forces for the »Ring der Nibelungen«, creating a joint stage adaptation for puppets and people that enables astounding changes of perspective. The production already held a highly successful guest run in Paris, and will be touring the US in the fall of 2013.
Duration: 2 hours 20 min \ one intermission
Cast
Directed by
Carl Philip von Maldeghem
Assistant Director
Claudia Carus
Marionettes Conceptional Design
Prof. Gretl Aicher (t) \ Philippe Brunner
Stage and Costumes
Christian Floeren
Reviews
»Das Landestheater und das Marionettentheater produzieren Kunst als harmonisches Team, und das mit besonderen Charme. […] Zuletzt entwickelte sich die gemeinsame Arbeit am »Ring des Nibelungen« zur Erfolgsgeschichte.«
»Die »Ring«-Tetralogie, zusammengefasst in nur zwei Stunden – eine phänomenale Leistung und ein großes Vergnügen für den Zuschauer. […] Und Carl Philip von Maldeghem hat so sensibel in Text und Musik hinein inszeniert, dass der Mythos um Gier, Verführbarkeit und Macht klar erzählt wird – ganz in der speziellen Poesie des Marionettentheaters.«
»Later that day in Gainesville, a performance of the `Ring´ cycle, directed by Carl Philip von Maldeghem and produced with the Salzburg State Theater, recreated in miniature all the essential ingredients of Wagner’s story, with a particular emphasis on the fairy-tale elements that are so difficult to stage in an opera house. […] Most affecting are the moments when the production bursts its own conventions. […] The production was also invited to a festival in Weimar, Germany, that is run by Nike Wagner, the composer’s great-granddaughter.«
»Four days, sixteen hours; that’s the length of Wagner’s Der Ring des Nibelungen. Those numbers are repeated several times during the neat two hours of the Salzburg Marionette Theatre’s ingenious, greatly condensed Ring, presented Friday night at the Metropolitan Museum of Art. Their Ring is vividly entertaining and profoundly serious.«