Raimundas Juzuitis, Leslie Suganandarajah, Mozarteumorchester und Chor
Raimundas Juzuitis, Leslie Suganandarajah, Mozarteumorchester und Chor
© SLT / Tobias Witzgall
Luke Sinclair
Luke Sinclair
© SLT / Tobias Witzgall
Luke Sinclair
Luke Sinclair
© SLT / Tobias Witzgall
Raimundas Juzuitis, George Humphreys und Luke Sinclair
Raimundas Juzuitis, George Humphreys und Luke Sinclair
© SLT / Tobias Witzgall
Leslie Suganandarajah
Leslie Suganandarajah
© SLT / Tobias Witzgall
George Humphreys
George Humphreys
© SLT / Tobias Witzgall
Nina Solodovnikova, Raimundas Juzuitis, George Humphreys
Nina Solodovnikova, Raimundas Juzuitis, George Humphreys
© SLT / Tobias Witzgall
Leslie Suganandarajah
Leslie Suganandarajah
© SLT / Tobias Witzgall
Nina Solodovnikova
Nina Solodovnikova
© SLT / Tobias Witzgall
Nina Solodovnikova
Nina Solodovnikova
© SLT / Tobias Witzgall
Leslie Suganandarajah, Nina Solodovnikova, Raimundas Juzuitis
Leslie Suganandarajah, Nina Solodovnikova, Raimundas Juzuitis
© SLT / Tobias Witzgall
Nina Solodovnikova
Nina Solodovnikova
© SLT / Tobias Witzgall

Die Perlenfischer

Les Pêcheurs de perles von Georges Bizet

Concert performance.

Libretto von Michel Carré und Eugène Cormon / In französischer Sprache mit deutschen und englischen Übertiteln

Premiere: 20. April 2024 / Landestheater

Synopsis

In a fairy-tale-like musical setting, Georges Bizet's "Les Pêcheurs de perles" (The Pearl Fishers) portrays a poignant conflict between love and friendship, duty and passion. Apart from containing the most famous male duet in the history of music, "Au fond du temple saint," this opera gem, which had been almost forgotten for a long time, includes a plethora of fascinating melodies. The concert performance at the Salzburg State Theatre offers the opportunity to experience this work with an absolute focus on its multifaceted music.

Many years ago, the close friendship between the pearl fisherman Zurga and the hunter Nadir was on the verge of breaking because both had fallen in love with the same young woman, Leila. Only a solemn oath of renunciation could preserve their relationship. Now, Zurga is chosen as the leader of the pearl fishers, and according to an old ritual, a veiled priestess is supposed to pray for the protection of the fishers during their perilous work. However, Nadir recognizes that Leila is the one behind the veil. Driven by his passion, Nadir breaks the oath of renunciation he once made and Leila defies the vow of chastity. When the double breach of the oath is discovered, the drama unfolds.

The librettists Michel Carré and Eugène Cormon set the story in Ceylon, now known as Sri Lanka. Georges Bizet's colorful composition is distinguished by its dense musical atmosphere, providing space for both lyrical passages and spectacular choral numbers.

The 24-year-old Georges Bizet (1838– 1875) composed "Les Pêcheurs de perles" for the Théâtre-Lyrique in Paris. This early work long remained unfairly overshadowed by his successful opera "Carmen." Only in recent years has there been a resurgence of interest in this piece.

The musical direction is in the hands of Music Director Leslie Suganandarajah, who leads the opera ensemble, the choir, and the Mozarteum Orchestra Salzburg through this extraordinary opera, the original score of which is considered lost. The work is performed based on the new edition by Hugh Macdonald.

Duration: 2h 20min / one intermission

Cast

Musical Director Leslie Suganandarajah

Szenische Einrichtung Johannes B. Czernin

Choreinstudierung Carl Philipp Fromherz


Leïla, eine Tempelpriesterin Nina Solodovnikova

Nadir, Fischer, Jäger und langjähriger Freund von Zurga Luke Sinclair

Zurga, ein Fischer und Dorfoberhaupt George Humphreys

Nourabad, ein Hohepriester Raimundas Juzuitis

Chor Chor und Extrachor des Salzburger Landestheaters

Orchester Mozarteumorchester Salzburg

Audio introduction

von Andreas Fladvad-Geier

Reviews

„Das Mozarteumorchester mit Musikdirektor Leslie Suganandarajah am Pult kann nun klangsinnlich in die Gewässer der Perlenfischer eintauchen. Georges Bizets mit exotischer Couleur angereicherte feinsinnige Melodik bringen Dirigent und Orchester zum zauberischen Blühen. Die nuancenreichen Abstufungen in Dynamik und Tempi entlocken den Klangblüten imaginären Duft.“

Reichenhaller Tagblatt

„Viel Jubel für die Sänger: Nina Solodovnikova als Leïla betört mit spielerisch leichten Koloraturen („Mein Gesang schwebt wie ein Vogel“) und hat ebenso überzeugend warmen lyrischen Melos anzubieten, ganz wichtig in den Passagen mit Nadir, wenn Miloš Bulajić  seinen tenor aufblühen lässt. George Humphreys hat seine Stärken im Dramatischen.“

Drehpunkt Kultur