© SLT / Tobias Witzgall
Aaron Röll und Ensemble
Aaron Röll und Ensemble
© SLT / Tobias Witzgall
Aaron Röll
Aaron Röll
© SLT / Tobias Witzgall
KS Britta Bayer und Ensemble
KS Britta Bayer und Ensemble
© SLT / Tobias Witzgall
Larissa Enzi
Larissa Enzi
© SLT / Tobias Witzgall
Roman Kanonik
Roman Kanonik
© SLT / Tobias Witzgall
Roman Kanonik und Ensemble
Roman Kanonik und Ensemble
© SLT / Tobias Witzgall
Roman Kanonik, KS Britta Bayer, Georg Clementi, Aaron Röll und Larissa Enzi
Roman Kanonik, KS Britta Bayer, Georg Clementi, Aaron Röll und Larissa Enzi
© SLT / Tobias Witzgall
Aaron Röll und Larissa Enzi
Aaron Röll und Larissa Enzi
© SLT / Tobias Witzgall
Larissa Enzi und Aaron Röll
Larissa Enzi und Aaron Röll
© SLT / Tobias Witzgall

© SLT / Tobias Witzgall
Aaron Röll und Larissa Enzi
Aaron Röll und Larissa Enzi
© SLT / Tobias Witzgall
Roman Kanonik und Ensemble
Roman Kanonik und Ensemble
© SLT / Tobias Witzgall
Aaron Röll, Larissa Enzi, Roman Kanonik, Georg Clementi
Aaron Röll, Larissa Enzi, Roman Kanonik, Georg Clementi
© SLT / Tobias Witzgall
Aaron Röll, Larissa Enzi und Roman Kanonik
Aaron Röll, Larissa Enzi und Roman Kanonik
© SLT / Tobias Witzgall
Aaron Röll
Aaron Röll
© SLT / Tobias Witzgall
Aaron Röll
Aaron Röll
© SLT / Tobias Witzgall
Georg Clemnti und KS Britta Bayer
Georg Clemnti und KS Britta Bayer
© SLT / Tobias Witzgall
Aaron Röll
Aaron Röll
© SLT / Tobias Witzgall
Roman Kanonik und Ensemble
Roman Kanonik und Ensemble
© SLT / Tobias Witzgall
Aaron Röll und Larissa Enzi
Aaron Röll und Larissa Enzi
© SLT / Tobias Witzgall
Ensemble
Ensemble
© SLT / Tobias Witzgall
Georg Clementi, Larissa Enzi, Roman Kanonik, KS Britta Bayer und Aaron Röll
Georg Clementi, Larissa Enzi, Roman Kanonik, KS Britta Bayer und Aaron Röll
© SLT / Tobias Witzgall
Georg Clementi, Larissa Enzi, Aaron Röll, Roman Kanonik und KS Britta Bayer
Georg Clementi, Larissa Enzi, Aaron Röll, Roman Kanonik und KS Britta Bayer
© SLT / Tobias Witzgall
KS Britta Bayer, Aaron Röll und Roman Kanonik
KS Britta Bayer, Aaron Röll und Roman Kanonik
© SLT / Tobias Witzgall
Georg Clementi und Ensemble
Georg Clementi und Ensemble
© SLT / Tobias Witzgall
Roman Kanonik, Larissa Enzi, KS Britta Bayer, Aaron Röll und Georg Clementi
Roman Kanonik, Larissa Enzi, KS Britta Bayer, Aaron Röll und Georg Clementi
© SLT / Tobias Witzgall
Roman Kanonik, Larissa Enzi, KS Britta Bayer, Aaron Röll und Georg Clementi
Roman Kanonik, Larissa Enzi, KS Britta Bayer, Aaron Röll und Georg Clementi
© SLT / Tobias Witzgall
Aaron Röll
Aaron Röll
© SLT / Tobias Witzgall

The Gates of Gaza

Amir Tibon

Adapted for the stage by Nuran David Calis

The performances are presented with English surtitles.

World Premiere: October 3, 2025 / Bühne24 at the Marionette Theatre

Synopsis

“At first there was only a whistle. A short, loud shriek coming through our bedroom window, indicating the descent of a mortar from the skies above our house.” It is the morning of 7 October 2023 at the Nahal Oz kibbutz, an Israeli settlement close to the border with the Gaza Strip. Miri Tibon wakes up her husband, Amir. Together with their two small daughters, they barricade themselves in the safe room of their house. They softly urge the girls not to cry while they hear guns being fired by the Hamas aggressors in front of their windows.

“The Gates of Gaza” tells the story of 7 October 2023 through the prism of the events that fell on the Tibon family in Nahal Oz, who were eventually rescued by Amir Tibon’s father in an incredibly courageous effort. In his eponymous book, Tibon describes a community’s decade-long struggle for survival, wealth and growth on one of the world’s most dangerous borders. It is also a short history of Israel, chronicling the failure of Israel’s politics to guarantee the safety of its population. Based on Israeli and Palestinian sources and original interviews with the soldiers and police officers who fought alongside his parents on 7 October 2023, Amir Tibon presents his unsparing but eventually hopeful view of this seemingly unresolvable conflict and its global effects. The material makes for a deeply unsettling theatre night, directed by Nuran David Calis.

Amir Tibon, born in 1989, is a journalist and writer. He is a correspondent for the Israeli daily newspaper “Haaretz”. In 2017, he published “The Last Palestinian: The Rise and Reign of Mahmoud Abbas” (together with Grant Rumley), the first biography of Palestinian leader Abbas. Amir and Miri Tibon are currently living in northern Israel with their daughters.

Nuran David Calis, head of the drama division, is best known for his reinterpretations of classics and for his contemporary documentary theatre work. After having staged several productions in Salzburg as a guest, he is now presenting his first production in his new function at Stage 24: a work developed together with the ensemble. Once again, he collaborates with his tried and tested team for music as well as stage and costume design.

Duration: 1h 45 min. / no intermission

Play video "https://www.salzburger-landestheater.at/uploads/youtubeThumbs/youtubeThumb_zcCMrGTPUbI.jpg"

Reviews

"This evening is almost as complex as the situation in Israel and Gaza. It confronts both the horror and the conflict — without simplifying or sugarcoating anything. Not the crimes of Hamas. Not the brutality of Israel’s response."

Die deutsche Bühne

"Black and white in “The Gates of Gaza” refers only to the stage. The world premiere offers an unflinching yet hopeful perspective — free from any preconceived judgment."

Salzburger Nachrichten