Triage
Maya Arad Yasur
Translated from the Hebrew by Matthias Naumann
Synopsis
The term “triage” has not been part of our common active vocabulary for very long. But we have come to understand it as describing the complex issue of setting medical priorities for the use of limited resources in a disastrous event.
Prof. Blankenburg, head of an intensive care unit, faces the difficult task of coordinating the distribution of vital resources, especially ventilators. Her professional decisions are being impacted by crises in her personal life. Her husband’s battle with Parkinson’s, in particular, is commanding all her attention and emotional powers – making her situation even more difficult. Meanwhile, Dr. Bozic is wrestling with basic medical ethics while also preoccupied with his wife’s long-desired pregnancy and his affair with his colleague Dr. Majewski. And they are all going through the intense conflicts and moral dilemmas that medical staff experience in extreme situations: A vast fire disaster and the resulting overload at the clinic create a highly tense atmosphere, forcing the doctors to make fast decisions about life and death that are frequently almost unbearable.
“Triage” is a remarkable exploration of the raw reality of those confronted with the dark side of their professional calling, where any argument for or against has the potential to both save and destroy.
Maya Arad Yasur, born in 1976 in Israel, studied dramaturgy at the University of Amsterdam and worked as a production dramaturg, among other places, in the Netherlands and in Israel. Her plays have received, among others, the first prize in the playwrights’ competition of the ITI (International Theatre Institute) and UNESCO, as well as the Stückemarkt Prize of the Berlin Theatertreffen. In 2019, the translations of her play Amsterdam were selected by the German-speaking and French committees of EURODRAM.
Ebru Tartıcı Borchers was born in Hatay/Turkey. She studied acting in Ankara. After some theatre work in Turkey, she has also been acting in Germany since 2015. She studied directing at the Mozarteum University Salzburg and graduated in 2022. She has directed productions at venues including the Badisches Staatstheater Karlsruhe, the Theater Osnabrück, the Staatstheater Mainz and the Stadttheater Gießen. She has been director-in-residence at the Oldenburgisches Staatstheater since the 2024/2025 season.
Duration: 2h 10 min. / one intermission
We offer introductory talks 45 and 30 minutes ahead of each performance.
Selected performance
Fr 11/28/2025 07.30 pm
Salzburger Landestheater
Performances
Audio introduction
von Clara Bender und Jonathan Unterweger
Cast (on 11/28/2025)
Director
Ebru Tartıcı Borchers
Stage and Costume Design
Sam Beklik
Music
Daniel Catalán Dávila
Dramaturgy
Clara Bender
Professor Blankenburg
KS Britta Bayer
Dr. Bozic
Maximilian Paier
Dr. Majewski
Nikola Jaritz-Rudle
Bruno
Luca-Noél Bock
Edgar Jordan
Christoph Wieschke
Petra Löwe Tina Eberhardt
Reviews
„Ein Fundstück. [...] In einer von Sam Beklik [...] gestalteten weißen, streng geometrischen, doch gefinkelten Drehbühne, die die sterile, fast burgartige Hermetik eines Spitals vermittelt, macht die Regisseurin dezente szenische Zugriffe: So lässt sie den Darstellern Raum für eigene Figurenzeichnungen – etwa Christoph Wieschke als von Zahlen besessener Sohn einer sterbenden Patientin, der gleichsam den Kontrast von Wahrscheinlichkeitsrechnung und liebevoller Zuwendung verkörpert, oder Nikola Jaritz-Rudle als Jungärztin und resolute Alleinerzieherin. Und ohne szenisches Exaltieren gibt Ebru Tartıcı Borchers den Vortritt dem Stück und somit den kniffligen ethischen Fragen der Triage.“
„Am Ende setzte das Stück keine Meinung auf. Weder moralische Lösung noch dramaturgische Entlastung wurden angeboten. "Triage" konfrontiert das Publikum mit einer Situation, in der jede Entscheidung einen Preis hat. Und genau darin entfaltete die Inszenierung ihre Wirkung. Am Ende der zwei Stunden gab das Publikum erleichterten und zugleich nachdenklichen Applaus. Dem Salzburger Landestheater gelang damit ein Theatermoment, der Fragen stellt, ohne sie zu beantworten.“
