Alea Hagedorn, Nikola Jaritz-Rudle, KS Britta Bayer, Gertraud Ingeborg, Larissa Enzi, Charlotta Grimm
Alea Hagedorn, Nikola Jaritz-Rudle, KS Britta Bayer, Gertraud Ingeborg, Larissa Enzi, Charlotta Grimm
© SLT
Nikola Jaritz-Rudle
Nikola Jaritz-Rudle
© SLT
Nikola Jaritz-Rudle und Fabian Lichottka
Nikola Jaritz-Rudle und Fabian Lichottka
© SLT
Fabian Lichottka und Nikola Jaritz-Rudle
Fabian Lichottka und Nikola Jaritz-Rudle
© SLT
Tina Eberhardt, KS Britta Bayer, Gertraud Ingeborg, Charlotta Grimm, Alea Hagedorn und Nikola Jaritz-Rudle
Tina Eberhardt, KS Britta Bayer, Gertraud Ingeborg, Charlotta Grimm, Alea Hagedorn und Nikola Jaritz-Rudle
© SLT
Aaron Röll
Aaron Röll
© SLT
KS Britta Bayer und Ensemble
KS Britta Bayer und Ensemble
© SLT
KS Britta Bayer und Larissa Enzi
KS Britta Bayer und Larissa Enzi
© SLT
Larissa Enzi und KS Britta Bayer
Larissa Enzi und KS Britta Bayer
© SLT
Nikola Jaritz-Rudle
Nikola Jaritz-Rudle
© SLT
Nikola Jaritz-Rudle
Nikola Jaritz-Rudle
© SLT
Tina Eberhardt
Tina Eberhardt
© SLT
Fabian Lichottka
Fabian Lichottka
© SLT
Christoph Wieschke und Ensemble
Christoph Wieschke und Ensemble
© SLT
Nikola Jaritz-Rudle, Gertraud Ingeborg, Alea Hagedorn, KS Britta Bayer und Charlotta Grimm
Nikola Jaritz-Rudle, Gertraud Ingeborg, Alea Hagedorn, KS Britta Bayer und Charlotta Grimm
© SLT
Aaron Röll und Fabian Lichottka
Aaron Röll und Fabian Lichottka
© SLT
Aaron Röll und Fabian Lichottka
Aaron Röll und Fabian Lichottka
© SLT
Nikola Jaritz-Rudle, Charlotta Grimm, Gertraud Ingeborg, Alea Hagedorn, Larissa Enzi und Christoph Wieschke
Nikola Jaritz-Rudle, Charlotta Grimm, Gertraud Ingeborg, Alea Hagedorn, Larissa Enzi und Christoph Wieschke
© SLT
Charlotta Grimm und Ensemble
Charlotta Grimm und Ensemble
© SLT
Nikola Jaritz-Rudle
Nikola Jaritz-Rudle
© SLT
Nikola Jaritz-Rudle und Aaron Röll
Nikola Jaritz-Rudle und Aaron Röll
© SLT
Nikola Jaritz-Rudle und Aaron Röll
Nikola Jaritz-Rudle und Aaron Röll
© SLT
Fabian Lichottka
Fabian Lichottka
© SLT
Alea Hagedorn
Alea Hagedorn
© SLT
KS Britta Bayer und Alea Hagedorn
KS Britta Bayer und Alea Hagedorn
© SLT
Charlotta Grimm und Nikola Jaritz-Rudle
Charlotta Grimm und Nikola Jaritz-Rudle
© SLT
Charlotta Grimm und Nikola Jaritz-Rudle
Charlotta Grimm und Nikola Jaritz-Rudle
© SLT
Nikola Jaritz-Rudle, KS Britta Bayer, Larissa Enzi, Gertraud Ingeborg und Alea Hagedorn
Nikola Jaritz-Rudle, KS Britta Bayer, Larissa Enzi, Gertraud Ingeborg und Alea Hagedorn
© SLT
KS Britta Bayer und Ensemble
KS Britta Bayer und Ensemble
© SLT
KS Britta Bayer und Ensemble
KS Britta Bayer und Ensemble
© SLT
KS Britta Bayer und Christoph Wieschke
KS Britta Bayer und Christoph Wieschke
© SLT
Fabian Lichottka und KS Britta Bayer
Fabian Lichottka und KS Britta Bayer
© SLT
Nikola Jaritz-Rudle, KS Britta Bayer, Charlotta Grimm und Gertraud Ingeborg
Nikola Jaritz-Rudle, KS Britta Bayer, Charlotta Grimm und Gertraud Ingeborg
© SLT
Alea Hagedorn, Gertraud Ingeborg, Nikola Jaritz-Rudle und Charlotta Grimm
Alea Hagedorn, Gertraud Ingeborg, Nikola Jaritz-Rudle und Charlotta Grimm
© SLT

Und alle so still

Mareike Fallwickl

Bühnenfassung von Susanne Schmelcher

Österreichische Erstaufführung: 05. April 2025 / Landestheater

Synopsis

“I’ve been asking myself what would happen if all women refused to do what is expected of them. If they decided to do nothing, nothing at all, not go to work, not cook, not clean; they would not drive a bus, nor iron any shirts, nor sit at the supermarket checkout, nor teach any classes, they would enforce a total standstill.”

 

When Mareike Fallwickl wrote these sentences for her 2021 novel “Die Wut, die bleibt”, she was well aware that they contained another story, a new book: One Sunday in June, the world gets out of sync. Women are lying in the streets. Unmoving, in silent protest. It is here that the paths of Elin, Nuri and Ruth cross. Elin is in her early twenties, a successful influencer, who has experienced something which may or may not have been violence. Nuri, nineteen years old, has dropped out of school and is trying to make ends meet as a bike messenger, patient transporter and food delivery boy. Ruth is in her mid-fifties and works as a hospital nurse, her sense of duty seems inexhaustible. It is the beginning of a revolt in which women are no longer doing what they have always been doing. Suddenly, the very foundations of our system are shaking.

“Die Wut, die bleibt” was Fallwickl’s first novel to be adapted for the stage and saw its world premiere at the Salzburg State Theatre during the 2023 Salzburg Festival. Now, the theatre presents the Austrian premiere of her follow-up novel “Und alle so still”.

“‘Die Wut, die bleibt’ reflects our reality, while ‘Und alle so still’ shows how the world might change. This is why the one novel is dedicated to my daughter, so that she knows in what situation we women find ourselves, and the other one to my son, so that he understands that men will need to reorient themselves, that the only way forward is to go in the same direction – together”, Mareike Fallwickl explains.

Mareike Fallwickl, born in Hallein near Salzburg in 1983, lives in the province of Salzburg with her family. In 2018 she published “Dunkelgrün fast schwarz”, followed by “Das Licht ist hier viel heller” in 2019. Mareike Fallwickl actively promotes interest in literature, with a focus on female narratives.

Director Susanne Schmelcher, winner of a NESTROY theatre award, began gathering theatre experience at the Nationaltheater Mannheim and realised projects on the free theatre scene. She staged her first productions at the Pfalztheater Kaiserslautern, followed for instance by the Theater Heidelberg, the Theater Konstanz and the Tiroler Landestheater in Innsbruck.

Duration: 2 h 35 min

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Reviews

„Und alles so still ist eine programmierte Erfolgsproduktion mit optimalen Identifikationsmöglichkeiten für alle Altersstufen und sogar Geschlechter.“

Drehpunkt Kultur

Selected performance

Fr 05/02/2025 07.30 pm

Salzburger Landestheater

Audio introduction

von Friederike Bernau

Cast (on 05/02/2025)

Inszenierung Susanne Schmelcher

Bühne und Kostüme Eva Musil

Musik Viola Kramer

Dramaturgie Friederike Bernau

Video Stefan Aglassinger


Iris Gertraud Ingeborg

Ruth, Iris‘ Tochter KS Britta Bayer

Alma, Iris‘ Tochter / Nuris Mutter / Patientin Telefonstimme Krankenhaus Tina Eberhardt

Elin, Almas Tochter Nikola Jaritz-Rudle

Nuri Aaron Röll

Barbara / Die Gebärmutter / Therapeutin Larissa Enzi

Charlie Charlotta Grimm

Marta / Marlene Pauline Großmann

Valentin / Mann 1-3 Hotel / Marlenes Mann Polizist 1 / Pedro / Bettnachbar Fabian Lichottka

Peter, Iris‘ Ehemann / Nuris Vater Club-Besitzer / Polizist 2 / Fabrikarbeiter Patient / Dr. Grub Christoph Wieschke

Chor der Frauen alle Damen

Chor der Männer alle Herren