Phillip Henry Brehl und Abel Haffner
Phillip Henry Brehl und Abel Haffner
© SLT / Tobias Witzgall
Ensemble
Ensemble
© SLT / Tobias Witzgall
Larissa Enzi
Larissa Enzi
© SLT / Tobias Witzgall
Lisa Fertner
Lisa Fertner
© SLT / Tobias Witzgall
Phillip Henry Brehl, Lisa Fertner, Larissa Enzi, Marco Dott
Phillip Henry Brehl, Lisa Fertner, Larissa Enzi, Marco Dott
© SLT / Tobias Witzgall
Phillip Henry Brehl und Lisa Fertner
Phillip Henry Brehl und Lisa Fertner
© SLT / Tobias Witzgall
Phillip Henry Brehl und Lisa Fertner
Phillip Henry Brehl und Lisa Fertner
© SLT / Tobias Witzgall
Larissa Enzi
Larissa Enzi
© SLT / Tobias Witzgall
Abel Haffner
Abel Haffner
© SLT / Tobias Witzgall
Phillip Henry Brehl und Lisa Fertner
Phillip Henry Brehl und Lisa Fertner
© SLT / Tobias Witzgall
Tina Eberhardt, Lisa Fertner und Abel Haffner
Tina Eberhardt, Lisa Fertner und Abel Haffner
© SLT / Tobias Witzgall
Tina Eberhardt, Lisa Fertner und Abel Haffner
Tina Eberhardt, Lisa Fertner und Abel Haffner
© SLT / Tobias Witzgall
Lisa Fertner
Lisa Fertner
© SLT / Tobias Witzgall
Marco Dott und Lisa Fertner
Marco Dott und Lisa Fertner
© SLT / Tobias Witzgall
Abel Haffner, Phillip Henry Brehl, Larissa Enzi und Marco Dott
Abel Haffner, Phillip Henry Brehl, Larissa Enzi und Marco Dott
© SLT / Tobias Witzgall
Tina Eberhardt
Tina Eberhardt
© SLT / Tobias Witzgall
Larissa Enzi
Larissa Enzi
© SLT / Tobias Witzgall
Phillip Henry Brehl und Lisa Fertner
Phillip Henry Brehl und Lisa Fertner
© SLT / Tobias Witzgall

Whatsapp Stories

Ronnie Brodetzky

Österreichische Erstaufführung: 26. September 2024 / Kammerspiele

Synopsis

Ronnie Brodetzky’s new play consists entirely of WhatsApp voice messages and chats. Multifaceted, existentialist, moving and incredibly funny – these attributes aptly describe the multidimensional virtual conversations. The soccer team, the parents’ group at the local kindergarten, the family chat group, the tenants’ group: The Israeli theatre artist specializes in elevating everyday situations and finding creative ways to present them on stage.

Brodetzky and her team impressively illustrate how our phone conversations reflect the entire range of human experience, from the most banal comments to tragic blows of fate. At a rapid pace, the audience is immersed in various life realities, in professional and very private conversations, in social debates and political movements – a curiosity cabinet of conversations that is as diverse and peculiar as life itself.

“It is about a certain perspective on the here and now and about trying to understand what this technology means for our lives. The play is funny and, to me, deeply moving. I think everybody will be able to relate to it”, Brodetzky says about the project. And so, everybody is welcome, from those who mostly write one-liners to those who type out entire novels.

Author and director Ronnie Brodetzky studied directing at the arts faculty of the “Kibbutzim College of Education, Technology and the Arts” and completed the interdisciplinary master programme at Tel Aviv University. The satiric staging of unconventional documentary approaches is typical of her work. In Salzburg she has for instance presented “Aquarium” and “1000 Tutorials”.

Brodetzky’s examination of our use of chat programmes was originally created in 2023 for the Tzavta Theatre in Tel Aviv under the title “Typing...WhatsApp chats from real life” and is now being adapted for the Kammerspiele stage of the Salzburg State Theatre. Together with Brodetzky, stage and costume designer Ruth Miller and choreographer Tal Cohn return to Salzburg, who have previously generated strongly aesthetic and energetic settings for “Aquarium” and “1000 Tutorials”.

Duration: 1 h 35 min

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Reviews

„Über einen Gruppenchat wird eine Yoga-Demonstration für den Frieden organisiert. Diese und ein paar andere belanglose soziale Netzgespinste wären es kaum wert, eineinhalb Stunden im Theater zu verbringen, würden nicht Ronnie Brodetzky und die sechs Schauspieler daraus wunderbare Funken schlagen. So ist zu beobachten, wie Schauspielkunst auch laue Inhalte würzen kann.“

Salzburger Nachrichten

„Tina Eberhardt, Larissa Enzi, Lisa Fertner, Marco Dott, Phillip Henry Brehl und Abel Haffner bilden das grandios-spielfreudige sechsköpfige Ensemble. Sie nehmen die unterschiedlichsten Rollen ein. Durch einen Glitzerstreifen-Vorhang kommen sie, sprechen in Mikrophone, machen sich wieder davon. Ruth Millers so simpler Bühnenraum und ihre parodistischen Kostüme verstärken die tiefen Abstürze der zu Karikaturen überhöhten Protagonisten. Es chattet der Mensch, so lang er strebt.“

Drehpunkt Kultur